Nexus Between Painting and Literature
DOI:
https://doi.org/10.17507/tpls.1207.16Keywords:
painting, literature, writing, connection, expressionAbstract
Painting along with the literatures written was a response to the significant social events or ethnological constructions of that era. Like other arts, literature was a voicing of a person’s feelings and thoughts. Every artist sought to share their observations, experiences and their understanding of truths. Whether artists were writing stories, composing songs, creating a film or painting a picture, they were experiencing their relationship with the world around them and their works reflected a particular structure, tone and theme pertaining to the form of art. This paper looked at the connection and compared the difference between painting and literature and its evolution in history as they complemented one another through their way of expression.
References
Abrams, M.H. (1968). Ode on a Grecian Urn. Twentieth Century Interpretations of Keats’ Odes. Edited by Jack Stillinger, Prentice- Hall.
Alberti. (1966). On Painting. Translated John R.Spencer, Yale University Press.
Aristotle. (1967). On the Art of Poetry. Translated by Ingram Bywater, Clarendon P, 1967. Print.
Bandello, M. (1740). Novelle del Bandello (Vol. 1). per S. Harding.
Bernacki, M. (2010). Wisława Szymborska:" Vermeer". Świat i Słowo, (2010, nr 2 (15)), 95-106.
Chevalier, T., & Phimister, R. A. (1999). Girl with a pearl earring. London: Harper Collins.
Corn, A. (2008). “Notes on Ekphrasis”. Poets.org. http://www.poets.org/poetsong/text/notes-ekphrasis. Accessed on 12 June 2019.
Dante, A., & Carson, C. (2013). Inferno. London: Penguin Classics.
De Vries, L. (2003). Bruegel's" Fall of Icarus": Ovid or Solomon?. Simiolus: Netherlands Quarterly for the History of Art, 30(1/2), 5-18.
Greenbalt, Stephen and Catherine Gallagher. (2000). Practicing New Historicism. Chicago University Press.
Keats, J., Phillips, M., Bradner, K., Koch, P. R., & DeMerritt, J. (2003). Ode on a Grecian urn.
Kharlan, O., Shkola, I., Saliuk, B., Bohdanova, M., & Melnikova, Y. (2020). Transformation of the Genre of Still Life in Painting and Literature. Journal of History Culture and Art Research, 9(3), 246-256.
Kennedy, X. J. (1961). Nude Descending a Staircase. New York, NY, USA: Doubleday, Incorporated.
McCouat, Philip. (2012). On the Trail of the Last Supper. Journal of Art in Society. www.artinsociety.com. Accessed on 25 June 2019.
Oppler, Ellen. (1988.). Picasso’s Guernica. Norton.
Reynolds, C. F. (2018). Images on Aging: Picasso's “The Old Guitarist”. The American Journal of Geriatric Psychiatry, 26(4), 504.
Sir Philip Sidney. (1970). An Apology for Poetry. Bobbs Merrill.
Sierra, Javier. (2007). The Secret Supper. Simon & Schuster.
Szymborska, W. (1997). Nothing twice: selected poems. Wydawn. Literackie.
Van Meel, J. M. (1995). Representing emotions in literature and paintings: a comparative analysis. Poetics, 23(1-2), 159-176.
Verdonk, P. (2005). Painting, poetry, parallelism: ekphrasis, stylistics and cognitive poetics. Language and Literature, 14(3), 231-244.
Wilde, O. (2006). The picture of dorian gray. OUP Oxford.
Woolf, V. (1955). To the Lighthouse (1927). NY: Harcourt Brace Jovanovich.
