The Language of Flowers in Selected Poems by William Blake: A Feminist Reading

Authors

  • Majd M. Alkayid Applied Science Private University
  • Murad M. Al Kayed Al_Balqa Applied University

DOI:

https://doi.org/10.17507/tpls.1204.20

Keywords:

William Blake, flowers, romanticism, feminism, floriography

Abstract

The study aims at analyzing the meanings and symbolic implications of flowers in selected poems by William Blake (1757-1827) from a feminist perspective. This paper analyzes the themes and symbolism of different kinds of flowers to explain how William Blake tries to expose the situation of women in the patriarchal nineteenth-century society. The study discusses the language of flowers from a feminist perspective relying on three prominent feminists. First, the study relies on Mary Wollstonecraft (1759–1797) who rejected the patriarchal role of women as submissive and weak. Second, the study applies Virginia Woolf’s feminist perspective about rejecting the role of women as the angels of the house. Third, the study applies Simone de Beauvoir’s rejection of categorizing women as subjective and inferior. William Blake is an early feminist who rejected the submission of women and used his poetry to comment on the situation of women in the nineteenth century. He expresses many issues related to women. He believed in women’s ability to be independent and strong and he refutes the traditional social stereotyping of women as being inferior and weak and therefore they are in constant need of the support of men. Blake stresses the beauty and strength of women through describing women in floral imagery.

Author Biographies

Majd M. Alkayid, Applied Science Private University

Department of English Language and Translation

Murad M. Al Kayed, Al_Balqa Applied University

Department of English Language and Literature

References

Antal, E. (2008). 'Labour of Love'- Ovidian Flower Figures in William Blake's Songs. Eger Journal of English Studies, 3, 23-40.

Babamiri, N. (2016). The Anti-Platonic Love in the Sick Rose. Journal of Social Science and Humanities Research, 1(7), 1-5.

Baigy, M.Z, Zarrinjooe, B. (2014). The Role of Nature and Post-Pastoral Signs in William Blake’s “Night” and “A Little Girl Lost”. International Journal of Literature and Arts, 2(2), 44-48. https;//doi.org/ 10.11648/j.ijla.20140202.14

Beauvoir, S. (2007). The Second sex. In B. A. Arrighi‏ (Ed.), Understanding Inequality: The Intersection of Race, Ethnicity, Class, and Gender (pp. 75-82) Rowman & Littlefield.

Blake, W. (1970). The Poetry and Prose of William Blake. Doubleday.

Comorau, N. (2001). Egotistics. Bama.ua.edu. Villanova University.

Damrosch, L. (1980). Symbol and Truth in Blake's Myth. Princeton University Press.

Flower Dictionary. (2020). Dark Crimson Rose Meaning: What Does the Dark Crimson Rose Mean? Retrieved 15 October 2021 from https://www.auntyflo.com/flower-dictionary/dark-crimson-rose

Fox, S. (1977). The Female as Metaphor in William Blake’s Poetry. Critical Inquiry (3)3, 507-519.

Gillham, D.G. (1973). William Blake. Cambridge University Press.

Gleckner, R. F. (1975). Point of View and Context in Blake's Songs. In M.H. Abrams (Ed), English Romantic Poets (pp. 90-97). Oxford University Press.

Griffin, S. (1978). Woman and Nature: The Roaring Inside her. Harper and Row.

Hanley, K. (2007). Redefining Didactic Traditions: Mary Wollstonecraft and Feminist Discourses of Appropriation. University of Pittsburg.

Ingram, J. (1887). The Language of Flowers, or Flora Symbolica. Frederick Warne and co.

Malla, N. (2014). ‘O Rose thou art sick’: Floral Symbolism in William Blake’s Poetry. Journal of Arts and Humanities, 3(3), pp. 12-16.

Mellor, A. (1982). Blake’s Portrayal of Women. An Illustrated Quarterly, 16(3), pp. 148-155.

Muff, S. (2019). Floriography- The Meaning of Flowers. Retrieved 3 September 2021 from https://www.floraly.com.au/blogs/news/floriography-the-meaning-of-flowers

Tyson, L. (2006). Critical Theory Today. Taylor and Frances Group.

Webster, R. (1996). Studying Literary Theory: an Introduction. Arnold.

Williams, A. G. (2011). Visions of the Feminine: The Liberating Poetics of William Blake Reconsidered. Villanova University.

Wollstonecraft, M. (1792). A Vindication of the Rights of Woman. Retrieved 10 October 2021 from earlymoderntexts.com/assets/pdfs/wollstonecraft1792.pdf

Woolf, V. (1931). Professions for Women. Retrieved 1 October 2021 from http://www.wheelersburg.net/Downloads/Woolf.pdf

Downloads

Published

2022-04-02

Issue

Section

Articles