Gender Roles in The Merchant of Venice and Othello

Authors

  • Saed Shahwan University of Hail

DOI:

https://doi.org/10.17507/tpls.1201.19

Keywords:

gender roles, femininity, masculinity, discrimination, gender equality

Abstract

Literature enables authors to express various societal matters. Shakespeare provides a wide range of information from the Elizabethan era through his works. An important issue that is evident in his work is gender roles. The roles of characters, as described by Shakespeare, show social norms that define female and male genders. Female characters in Shakespeare's Merchant of Venice and Othello are underestimated because of the stereotypical gender roles. The roles involving female characters revolve around the homestead, unless where a female character is from a wealthy family, a queen or a princess. Male dominance in society implies that the Shakespearean era advocated for women discrimination.

Author Biography

Saed Shahwan, University of Hail

Department of English

References

Aro, J. M. (2016). Constructing masculinity: Depiction of the superheroes superman and batman. IUP Journal of English Studies, 11(1), 32. Vol. 11, Iss. 1, (Mar 2016): 32-38.

Calvo, C. (2014). Portia And The Suffragists: The Merchant Of Venice As A “New Woman" Play. Litteraria Pragensia, 24(47). Vol. 24 Issue 47, p48-71. 24p.

Li-hua, H. U. A. N. G. July (2019). On the Otherness of Shylock in The Merchant of Venice. Journal of Literature and Art Studies, 9(7), 661-668. Vol. 9, No. 7, 661-668

Mahon, J. W., & Mahon, E. M. (Eds.). (2013). The Merchant of Venice: Critical Essays. Routledge.

Nimavat, S. (2017). Shakespeare‘s Concern about Women: Feminist Perspectives in Shakespeare‘s Plays. International Journal of Research and Analytical Reviews, 4(2), 145-150. [VOLUME 4 I ISSUE 2 I APRIL – JUNE 2017]

Palahniuk, M. (2015). Gender Issues: Challenges Of The Present. Humanities Bulletin of Zaporizhzhe State Engineering Academy, (60). Issue 60, p73-83. 11p.

Russin, R. (2013). The Triumph of the Golden Fleece: Women, Money, Religion, and Power in Shakespeare's The Merchant of Venice. Shofar, 31(3), 115-130.

Shahid, T. (2013). Exploring the concept of cross-dressing in Shakespeare's plays: uncovering the SHE (Doctoral dissertation, BRAC University).

Shakespeare, W. (2006). The Oxford Shakespeare: Othello: The Moor of Venice (Vol. 21). Oxford University Press.

Sharma, B. (2014). Subalterns in The Merchant of Venice: Interrogating the Postcolonial Reading. IUP Journal of English Studies, Vol. 9, Issue. 4, (Dec 2014): 7-20.

Simms, H. L. (2016). Shakespeare's Dowry: Subjectivity and Resistance in The Taming of the Shrew, Romeo and Juliet, and The Merchant of Venice. UNLV Theses, Dissertations, Professional Papers, and Capstones. 2903.

Strickler, B. (2005). Sex in the city: an ecocritical perspective on the place of gender and race in Othello. Interdisciplinary Studies in Literature and Environment, Vol. 12, No. 2 (Summer 2005), pp. 119-137 (19 pages) Published By: Oxford University Press

Tasmia, F. (2016). Women in Shakespearean comedies: a subversion of gender norms (Doctoral dissertation, BRAC University).

Walmiki, S. (2017). Shakespeare’s “The Merchant of Venice: A Case for Gender Studies. Asian Journal of Multidisciplinary Studies, 5, 3. Vol.5,Issue3,March 2017:33-36

William, S. (2014). The Merchant of Venice. " Издательство"" Проспект". Volume 54, Number 2, Spring 2014:1-26

Downloads

Published

2022-01-02

Issue

Section

Articles