Language Transformation and Subjectivity: A Lacanian Psychological Literary Criticism of Daniel Keyes’ Flowers for Algernon

Authors

  • Ririn Arnita Sari Hasanuddin University
  • Burhanuddin Arafah Hasanuddin University
  • Herawaty Abbas Hasanuddin University
  • Catleya Karenina Wicaksono Hasanuddin University
  • Taqdir Hasanuddin University
  • Ummul Hayat Almahdali Hasanuddin University
  • Brezky Simare Mare Hasanuddin University
  • Winnie Alisa Rano Hasanuddin University
  • Nurroidah Fadhilah Malik Hasanuddin University

DOI:

https://doi.org/10.17507/tpls.1611.16

Keywords:

narrative subjectivity, linguistic transformation, Lacanian psychoanalysis, first-person narrative, Flowers for Algernon

Abstract

This study examines subjectivity construction, stabilization, and disintegration in Daniel Keyes’ Flowers for Algernon, highlighting language as the main narrative mechanism for producing subjectivity. Using narratological, stylistic, and Lacanian psychoanalytic frameworks, the analysis views subjectivity not as a stable psychological essence but as a fragile, language-dependent formation via narrative discourse. Through qualitative close reading, the study analyzes Charlie Gordon’s first-person progress reports, focusing on linguistic markers of subjectivity, including spelling patterns, syntactic complexity, vocabulary range, narrative coherence, and self-referential expressions. The findings show early non-standard linguistic forms place Charlie at symbolic discourse margins, while subsequent linguistic stabilization allows reflective self-positioning and symbolic integration. However, this stability is temporary, as linguistic deterioration leads to narrative fragmentation and self-referential authority disintegration. A Lacanian reading of the Imaginary and Symbolic orders shows narrative coherence moments correspond to imaginary identification, while symbolic regulation introduces abstraction and alienation, and its breakdown results in narrative subjectivity disintegration. The study argues Flowers for Algernon constructs subjectivity as a precarious narrative achievement sustained through language, not an inherent psychological constant, offering a language-centered perspective to literary discussions of identity, narrative voice, and subject formation.

Author Biographies

Ririn Arnita Sari, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

Burhanuddin Arafah, Hasanuddin University

English Department, Faculty of Cultural Sciences

Herawaty Abbas, Hasanuddin University

English Department, Faculty of Cultural Sciences

Catleya Karenina Wicaksono, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

Taqdir, Hasanuddin University

Linguistic Doctoral Programme, Faculty of Cultural Sciences

Ummul Hayat Almahdali, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

Brezky Simare Mare, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

Winnie Alisa Rano, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

Nurroidah Fadhilah Malik, Hasanuddin University

English Language Studies, Postgraduate Programme, Faculty of Cultural Sciences

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Published

2026-11-04

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