Only Monsters Evolve From Wars: An Analogical Reading of Slaughterhouse-Five and Frankenstein in Baghdad
DOI:
https://doi.org/10.17507/tpls.1406.21Keywords:
Frankenstein in Baghdad, Slaughterhouse-Five, Baghdad, Dresden, warAbstract
This article examines the absurdity of wars and grounds their intersecting contours of enormous death (physical and psychological), destruction, and trauma notwithstanding their location, grounds, pretext, or repercussions. It underlines the scathing critiques of their constituencies in Kurt Vonnegut’s Slaughterhouse-Five (1969) and Ahmed Saadawi’s Frankenstein in Baghdad (2013, trans. 2018), two novels articulating a striking disdain for the ethics and myths of the so-called “just wars.” The researchers, sharing the novelists’ moral qualms about wars, bring these two novels together in a potent critique uncovering the cruelties of wars, which have led to the dislodgement and demise of millions of people all over the world, not to mention the psychological insecurities and anxieties instigated by war. To illustrate, the horrible car bomb explosions besetting Baghdad in the aftermath of the 2003-American invasion of Iraq are equated with the Allies’ firebombing and leveling of Dresden in Eastern Germany. Hence, Dresden and Baghdad lapse into waves of horror and massacres committed in the name of justice, and Vonnegut and Saadawi, whose awfully poignant firsthand war experiences enticed them to foreground the tragedies of war, interweave nonlinear antiwar narratives reminiscent of the mismatched body of Whatsitsname in Frankenstein in Baghdad and Billy Pilgrim’s disheveled appearance and lack of training as a soldier in Vonnegut’s Slaughterhouse-Five.
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