Destruction of Patriarchal Society by Nu Shu in Snow Flower and Secret Fan

Authors

  • Xingjie Du Guangdong University of Foreign Studies

DOI:

https://doi.org/10.17507/tpls.1101.11

Keywords:

Nu Shu, patriarchal society, destruction

Abstract

Lisa See’s Snow Flower and Secret Fan is set in Emperor Taoguang period-late Qing Dynasty that is featured by patriarchal society. One of typical features of the patriarchal society is that the male is the center of everything, while the female is in a disadvantaged position, which is clearly shown in the novel. However, Laotong–a kind of woman’s friendship in the novel can be regarded as a sort of female rebellion to the patriarchal society. They communicate with each other in a special way that men have no access to, which in a way wins more space for women in feudal society in which men always are in dominated position in terms of social status in family or society. The paper is going to discuss how this nu shu narrative destructs the patriarchal society and strives for more space for women, breaking the yoke of man’s gaze and power.

References

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Ho, Elizabeth. (2011). “I Think it’s really about us”: Review of Lisa See’s Snow Flower and Secret Fan & Wayne Wang’s Film Adaption. Neo-Victorian Studies 4:2. Swansea University. p. 191-202.

Lefebvre, Henri. (1991). The Production of Space. Cowley: Basil Blackwell Ltd.

Lillian, Comas-Diza & Marcella, Bakur Weiner. (2013). “Sisters of the Heart: How Women’s Friendship Hea”. Women & Theray, 36: 1-2, 1-10.

Philip, Michael. (2011). Source Story Gets Short Shift in Snow Flower. The Chicago Tribune, 21 July 2011, accessed 9 December.

See, Lisa. (2005). Snow Flower and Secret Fan. New York: Random House.

Sharkey, Betsy. (2011). Movie Review: “Snow Flower and Secret Fan”. L.A. Times, 15 July 2011, accessed 1 December.

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Published

2021-01-01

Issue

Section

Articles